
Tuesday, July 17, 2007
The Soft Machine - Volume One

Friday, July 6, 2007
Hope?
Hard drive - completely fuckt. Bad controllers on the drive itself.
MP3s/Info - 99.9% safe thanks to a friend of mine.
I'm going to have to purchase a new hard drive in order to get the information back, but give me a week and I'll be back up.
Peazz
Friday, June 22, 2007
Update, Hard drive is dead for time being
I apologize once again, and please wish me luck in getting it back up and running.
Thursday, June 14, 2007
The Wilde Flowers - Tales of Canterbury
Just so everyone is informed, I have decided to make the rest of the month dedicated to The Wilde Flowers and all things that spawned from them. The following month will hopefully capture how this band started the famous "Canterbury scene" in the late 60's and how they seperated into two of the most amazing and significant (IMO) bands of all time: The Soft Machine and Caravan; not to mention significant solo efforts, collaborations, live recordings, and various means in which makes this music so significant. To kick this off I present to you a collection of Wilde Flowers recordings with songs written by Brian Hopper, Hugh Hopper, Kevin Ayers, Robert Wyatt, Booker White, and a cover of "Almost Grown" by Chuck Berry. Enjoy!
AMG Bio: The Wilde Flowers never released a record during their existence, but their influence exceeds that of many groups with lengthy discographies. The band served as the wellspring of the so-called Canterbury sound: future Soft Machine members Robert Wyatt, Kevin Ayers, and Hugh Hopper all played with the Wilde Flowers before the Soft Machine were founded, and Pye Hastings, David Sinclair, Richard Sinclair, and Richard Coughlan played in the group at various points before forming Caravan. The musicians who wandered through the Wilde Flowers (who went through several lineups between 1963 and 1969) came from a far more intellectual, artistic, and jazz-oriented background than was the norm for pop musicians in the mid-'60s. Thus, although the group played beat fare much like thousands of other British combos in their formative days, when they began to write their own material, it betrayed the bemused whimsy -- replete with odd jazzy flourishes, droll obtuse lyrics, and adventurous chord changes -- that would come to characterize the Canterbury bands, and prove influential on the development of psychedelia and progressive rock. At long last, a wealth of the Wilde Flowers' demos and unreleased recordings was released in 1994.
http://rapidshare.com/files/37285481/The_Wilde_Flowers_-Tales_of_Canterbury.rar.html
Wednesday, June 6, 2007
Woods - Ram 7"
I caught this band live in Lexington of last year, opening for those buck wild hooligans that are Raccoo-oo-oon. This two piece is comprised of Jeremy Earl and Christian DeRoeck, half of the bitchin' rock force that is Meneguar. Jeremy also runs both the Fuck It Tapes and Woodsist labels, releasing limited runs of lo-fi records and cassettes that are on a cosmic scale of 10. Their show was absolutely stunning and after chatting with Christian for a second after it, I had to purchase this beautiful little vinyl (pressed white). Stunning acoustic rhythms and vocal melodies that sounds like two guys recording a unique style of lo-fi folk, in a cabin, in the woods. Hope you all dig this as much as me.Vinyl Rip from Yoshimura @ 320
http://rapidshare.com/files/35679042/Woods_-_Ram__single_.rar.html
Sunday, May 13, 2007
Relatively Clean Rivers - Self Titled

I was introduced to this record after getting into one of Phil Pearlman's other bands, Beat of the Earth, and the great record label, Radioactive Records. Absolutely brilliant west coast rock, with a slick mid 70's Neil Young like production. This should be a great album for everyone to dig this summer. Love!
First ever reissue. Former "Beat Of The Earth" leader Phil Pearlman assembled Relatively Clean Rivers in the early '70s and eventually recorded this excellent rural rock album in 1975. Although it should be easy to pigeonhole the sound of Relatively Clean Rivers, it is actually anything but. At times sounding like The Grateful Dead in all their American Beauty pomp, or CSNY circa Déjà Vu, this tight, richly talented ensemble produces an album of almost majestic quality. The sound is superb, and clearly no time or expense were spared to produce an album which is probably the most flawless snapshot of Californian '70s under ground music that you will ever here. Originally there were 2 pressings of this unique album, each of only 500 copies each, and this is the first time that this, or any of Pearlman's other recordings has been reissued. An album highly recommended to anyone even remotely interested in '70s West Coast music or simply top-notch music in general.(Forced-Exposure)
http://rapidshare.com/files/31187933/Relatively_Clean_Rivers_-_Relatively_Clean_Rivers.rar.html
Wednesday, May 9, 2007
First Post: Cluster Live 77-80


